Productions

21 Days (2021)

In 2021, during the COVID-19 pandemic, Mister P and his son (Mini P) had to quarantine for 21 days. During this period, with help from his father, Mini P composed a track. This project was immediately followed by an album of remixes, in which Juan Escribano participated with the track « 21 Days – Escape to the 80’s Remix ». The piece featured «eighties» sounds, giving it a melancholic touch.

Tracks available on streaming platforms.

5 (2016)

In 2016, Mister P reached out to his musician friends, including Juan Escribano, to propose an original project. Each artist invited to the project had to choose three tracks they wished to remix. Juan Escribano ultimately remixed two titles: « Need U » and « Elements ». This project resulted in a double album named « 5 », featuring a compilation of Mister P's original tracks and a collection of all the remixes.

Tracks available on streaming platforms.

Drop! (2012)

In the summer of 2012, his friend Mister P suggested that he remix his single «Drop!». It was unfortunate timing, as the studio was not set up, and none of the equipment was operational. Juan Escribano declined the project. However, Mister P insisted, saying that the project would not have the same impact without his participation. Touched by this, Juan Escribano decided to join the project by improvising a mini studio in a room of his house.

Tracks available on streaming platforms.

This is BNC - Volume 1 (2010)

This compilation was initiated by Juan Escribano's childhood friend, Mister P (Francisco Garcia), who wanted to showcase Biel's musical culture through an album rich in styles and influences.

Many artists shared the stage, blending Hip-Hop, Jazz, Rock, and, of course, electronic music. Juan Escribano composed a track for this compilation.

Dos Mundos (2000)

The second album represents a change in his working technique and style. He used a DAW (Vision) and musically leaned towards «trance» and «techno» styles. The tracks were mixed by Sylvain Tissot.

Dos Mundos aims to be an album where two sonic worlds confront each other. This album was produced in 300 copies, with about a hundred sold. Four tracks are available on his website mx3.ch . Additionally, one track was featured on Couleur 3's show, La Planète Bleue.

Clouds (1998)

This set of tracks is a 9-part project where he clearly explores other musical styles and delves into «sampling». As with «Madness of Planets», he drew from this project to conceive his second album, Dos Mundos

This was his last «Demo Tape» before transitioning to digital formats for future projects. No artwork was created at the time. The accompanying image is AI-generated, freely inspired by the album's themes.

Madness of Planets (1997)

He finally released his first album, mixed by Sylvain Tissot, with two tracks rearranged by Jacques Degger. The album was largely recorded in Juan Escribano's studio, except for the two rearranged tracks.

«Madness of Planets» was produced in 500 copies, with about a hundred sold.

Alone (1996)

Still using the same equipment, he explored « sampling » on Amiga (4 voices in 8-bit PCM), placing particular emphasis on a few tracks of this new «Demo Tape».

The tendency to compose concept-based tracks gradually intensified. For this album, he drew inspiration from his social environment, particularly his friends.

Madness of planets (1995)

That year, he decided to embark on a concept album centered around the theme of planets. Fascinated by science, he drew heavy inspiration from the photographs taken by the Voyager I and II probes. He was also captivated by the discovery of the first exoplanet on October 6 of that same year, made by Swiss astronomers Michel Mayor and Didier Queloz.

This fifth project would later become his first album.

Spirits of Time (1994)

For this album, he used new equipment that expanded his very first setup. For sequencing, he worked with a Commodore Amiga 2000 equipped with a 16-channel MIDI interface, connecting instruments such as the Roland Alpha Juno 2, Korg M1, Prophet 600, and a Boss DR-550 drum machine. He used the OctaMed tracker as his sequencer.

One of the B-side tracks on this production is over 20 minutes long! He also remixed a track into two distinct versions.

L'homme est l'espace (1993)

No, the title of this project is not a french grammatical mistake. Juan Escribano has always been curious about the world around him, particularly the infinitely large and the infinitely small.

During his apprenticeship, he discovered the pioneers of electricity, drawing inspiration from them to create increasingly refined compositions.

Just like his previous project, this new compilation of sound creations had no artwork at the time of production. The cover image shown here was later generated by AI, inspired by the album's themes.

Mer acoustique (1992)

With this new «Démo Tape», he began to experiment with «sampling», opening new sonic horizons.

He also took the opportunity to rework a track he had composed in 1989, which had been well received by his friends.

At the time, no artwork was created for the release of these tracks. The illustration shown here was later generated by AI, inspired by the album’s title.

Planète sans retour (1990)

Juan Escribano's first «Démo Tape» composed and produced using a Casio MT-540 keyboard and a C-Lab sequencer on a Commodore 64.

His first keyboard allowed him to sequence four MIDI channels simultaneously, enabling him to create his first arrangements. The solo parts were performed live on a Casio MT-140.